Ascend Ascend *signed* (foreword by Pam Grossman)

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Ascend Ascend *signed* (foreword by Pam Grossman)

$20.00

“Janaka Stucky is extraordinary, and his work riveting.” — Jimmy Page, Led Zeppelin

“It is steeped in soil, rot, stardust, moonlight, the dissolution of the self, and ‘heartblood pouring from a ram horn/ On the pubic shadow of the earth.’ Part prayer, part yowl, part spell, it’s grounded in the ancient and the occult.” — The Boston Globe

“Ascend Ascend is a mystical epic in which visionary experience continually emerges from life in the world ... Through fractured prayers, incantation, and lithe entreaties that refigure spiritual conventions, Stucky suggests that revelation is pragmatic, inexhaustible, and vital to questions of identity and community.” — BOMB Magazine

“Ascend Ascend is a passionate trance poem of praise, incantation and divination … One is grateful, in these imperiled times, for such forceful ritual and invocation: ‘Every word along the way / Lit like a flame upon / The wick of its origin.” — Anne Waldman, author of Trickster Feminism

“Stucky’s writing is a miracle, not only in its genius, but in its generosity. This is a love poem that shocks with secret links and revelations. It will lift you out of whoever you think you are.” — Pam Grossman, host of The Witch Wave podcast

“A genuine return to a poetry of extasis, both in experience & in language. Breathtaking and wonderful, I’m truly delighted to add Ascend Ascend to my repertory of contemporary works.” — Jerome Rothenberg, editor of Technicians of the Sacred

“This book is necessary for our dying, troubled world.” — Tarpaulin Sky

“Stucky uses principles of multivalent mapping in Ascend, Ascend (i.e. combining naturalism, astrology, alchemy, qabalah) to unfold layers of symbol that tend toward infinite iterations of felt and imagined phenomenon. But, over and over again, these utterances are paired with notions of non-dual thought, which tend toward an aporia of signifiers, seeking a realization of the inseparability of form and nothingness ... we encounter all of this experientially like we experience breathing.” —Speculative Arts Research

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